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Myles McNutt's avatar

As the editor of a Substack dedicated to episodic television criticism—Episodic Medium, which folks can find at my profile—AND as someone who forced my way into criticism through the comments on What’s Alan Watching?, I obviously echo much of what you reflect on here.

One thing I’ll add is that Twitter obviously changed these dynamics considerably, as it grew into a space where you could excise a few thoughts about something without dedicating a formal review to it.

But this again raises the issue with the binge releases: in addition to destabilizing episodic coverage (I’ve only reviewed Heartstopper at Episodic Medium on principle, I’d never pay someone to cover), it also destabilizes social media conversation, with everyone moving at different paces. I wrote about this for an academic journal a few years into covering Orange is the New Black for The A.V. Club, and the point basically stands. https://quod.lib.umich.edu/f/fc/13761232.0040.120/--binge-reviews-the-shifting-temporalities-of-contemporary-tv?rgn=main;view=fulltext

With Twitter basically on its last legs, I’m obviously personally invested in us moving the dialogue to platforms like this one, so I’m thrilled at being able to relive our blogging days and put our critical dialogues in conversation.

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PeterB's avatar

I miss the recaps - a part of my enjoyment of watching your recapped shows was from trying to guess which phrase would be referenced at the beginning of your recap (especially true of Justified) - but understand there is so much to choose from now, its hard to know where to begin. Just want to offer my thanks for helping me sort out the wheat from the chaff in the days pre the streaming wars.

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